Nicolai Howalt A Journey: The Near Future
In the series, the analogue and the digital, the human and the mechanical as well as the near and the far, walk hand in hand. Howalt’s work takes its starting point in photographic panoramas of the surface of Mars, which NASA’s Curiosity and Perseverance has sent to Earth, and which have subsequently been transferred to photographic negatives. In this way, the images have been transformed from digital information to physical photography, and the open expanses of Mars bear resemblance to those depicted in frontier photography of the 1800s.
Thereby, the works thereby raise several relevant questions, both regarding the consequences of our colonization of space and the problems associated with our zeal for propulsion. But at the same time, they are also vastly different from classical landscape photography as they present the digital images in their entirety, as joined single images, and the works edge and meander on the paper as graphic cuts, or as the repetition of tracks left by two robots on Mars’ surface.
In Howalt’s photographic work, the soft recognizability of analogue photography and the hard details of digital image technology meet and bring us into paradoxical proximity with a landscape, where no person has yet been. Historically, black and white photography has been linked to the presence of a photographer, and in that way the works are not only pointing backwards, but also towards what is far away, but in our near future.