Slater Bradley

Overview

Born in 1975 in San Francisco, California
Lives and works in Berlin, Germany

Slater Bradley is a conceptual and cross-disciplinary artist, who works with a wide variety of media, including photography, drawing, painting, neon and video. Bradley began exhibiting internationally at the age of 22, and in 2005, at the age of 30, Bradley became the youngest male artist to present a solo show at The Guggenheim. His breakthrough was partly initiated by the introduction of the concept of “The Doppelganger” as a central theme of his early work as well as his use of mass-mediated youth culture and icons alongside mythical and spiritual themes.

In 2013, Slater Bradley left New York City and travelled to Berlin, where he began to re-invent himself through rigorous spiritual introspection. This resulted in bringing forth the spiritual dimension in his work. Ancient cosmology and astrological themes plays a significant role in Bradley’s current work, such as the Shield series, which consists of hundreds of thousands of paint-pen strokes that create both subtle graduations and patterns. The experience of the works, as well as the process behind, calls upon hypnotic or even meditative concentration, and reminds the viewer of both organic tissue and radiant halos of cosmic dust.

In Bradley’s most recent installation works, the collective spiritual experience and sacred sites are explored through transcultural cosmology, philosophy, and mythology. His work includes several recurring forms and figures, such as the pentagram as a symbol of Venus and divine femininity, crystal stones and the oculus, the portal to the divine, as well as an ancient color palette of deep blue and gold, which throughout history has been connected to transcendence and the divine across belief systems.

His work is represented in several museum collections, such as the Museum of Modern Art in New York, The Solomon R. Guggenheim Museum, New York, Museum of Contemporary Art, Los Angeles, Whitney Museum, New York, and the Zabludowicz Collection, London.

Mars Wave Shield, 2022, marker on C-Print mounted to 3mm aluminium,
189,4 x 117,3 cm
Dark Shield (Cloud Phoenix), 2020, marker on C-print mounted to 2 mm aluminium,
124,5 x 77 cm
SBB_23_Nix Olympia Dark Shield Volcano_small
I Love Myself And Want To Live (Yellow), 2003/2023, giclee print mounted on 2 mm aluminium, museum glass UV 92, oak,
149,2 x 92,3 cm
SBB_03_23_I Love Myself And Want To Live (Cyan)
I Love Myself And Want To Live (Magenta), 2003/2023, giclee print mounted on 2 mm aluminium, museum glass UV 92, oak,
149,2 x 92,3 cm
New Golden Gate, 2022, Acrylic over dye sublimation print on polyester, sewing thread, oak,
218 x 144,6 x 5 cm
New New Gate, 2022, Acrylic over dye sublimation print on polyester, sewing thread, oak,
218 x 144,6 x 5 cm
SBB_23_Olympus Mons Soul Shield Volcano_small

Selected Works

Exhibitions

New Jerusalem Gates & the Cloud Phoenix

17. Mar, 2023 – 22. Apr, 2023

All my happiness is gone

13. Sep, 2019 – 19. Oct, 2019

Biography / CV

Born in 1975 in San Francisco, California Lives and works in Berlin, Germany EDUCATION 1998 - BA, University of California, Los Angeles SOLO EXHIBITIONS 2023 New Jerusalem Gates & the Cloud Phoenix, Martin Asbæk Gallery, Copenhagen, Denmark 2020 The Gates of Many Colors, Galeria Pelaires, Malloca, Spain 2019 All my happiness is gone, Martin Asbæk Gallery, Copenhagen, Denmark Under The Sunbeams, there-there, Los Angeles, California, United States 2018 Making Time, Galleria Poggiali, Florence, Italy KETU, Galeria Filomena Soares, Lisbon, Portugal 2017 Slater B. Bradley : Sundoor at World’s End, La Maddalena, Venice, Italy 2016 Slater B. Bradley : The Secret Key, Zuecca Projects, Venice, Italy 2013 A Point Beyond the Tree, Sean Kelly Gallery, New York, New York, United States Sequoia: Recent Work by Slater Bradley, Johnson Museum of Art, Cornell University, Ithaca, New York, United States she was my la jetée, Galería Helga de Alvear, Madrid, Spain Slater Bradley and Ed Lachman: Dead Ringer, 21c Museum Hotel, Bentonville, Arkansas, United States 2012 Slater Bradley: Nudes, Max Wigram Gallery, London, United Kingdom Melancholia, Galeria Filomena Soares, Lisbon, Portugal Don’t Let Me Disappear, Team Gallery, New York, New York, United States 2011 Slater Bradley and Ed Lachman: Look Up and Stay in Touch, Aspen Art Museum, Aspen, Colorado, United States NEVER BET AGAINST ME, Max Wigram Gallery, London, United Kingdom Slater Bradley and Ed Lachman: Shadow, Galería Helga de Alvear, Madrid, Spain 2010 Slater Bradley and Ed Lachman: Shadow, Whitney Museum of American Art, curated by Chrissie Iles, New York, New York, United States CLEAN SLATE, PSM Galerie, Berlin, Germany 2009 if we were immortal, Team Gallery, New York, New York, United States Boulevard of broken dreams, Max Wigram Gallery, London, United Kingdom nothing changes how it used to be, Frans Hals Museum, Haarlem, The Netherlands 2008 Perfect Empathy, Taka Ishii Gallery, Tokyo, Japan 2007 Hope From A Dark Place, Blum & Poe, Los Angeles, California, United States The Unreleased Factory, Max Wigram Gallery, London, United Kingdom Tonic-Clonic, Galería Helga de Alvear, Madrid, Spain Slater Bradley, Team Gallery, The Armory Show, New York, New York, United States Contemporary Project Series: Slater Bradley, Contemporary Art Museum, curated by Paul Ha, St. Louis, Missouri, United States 2006 The Abandonments, Team Gallery, New York, New York, United States In a Mixed State, Max Wigram Gallery, London, United Kingdom 2005 Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan Intermission, Galerie Lisa Ruyter, Vienna, Austria Lifetime Achievement Award, Savannah College of Art and Design, curated by Matthew Mascotte, Savannah, Georgia, United States (Cat.) Slater Bradley / MATRIX 216: The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, curated by Heidi Zuckerman Jacobson, Berkeley, California, United States Recent Acquisitions: Slater Bradley’s Doppelganger Trilogy, Solomon R. Guggenheim Museum, curated by Nancy Spector, New York, New York, United States 2004 The Doppelganger Trilogy, Blum & Poe, Los Angeles, California, United States STONED & DETHRONED, Team Gallery, New York, New York, United States 2003 Nobody Gives a Fuck What You Go Do With Your Life, MW Projects, London, United Kingdom Theory and Observation: New Work by Slater Bradley, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, United States 2002 Actress, Team Gallery, The Armory Photography Show, New York, New York, United States Kasparov, Nabokov, and the Enchanted Hunters, Team Gallery, Art Unlimited, Art | 33 | Basel, Basel, Switzerland Here are the Young Men, Team Gallery, New York, New York, United States Slater Bradley, Universitätsstadt Kaiserslautern, Kaiserslautern, Germany Slater Bradley, Art + Public, Geneva, Switzerland Keys in the Mailbox, Arndt & Partner, Berlin, Germany 2001 Ghost, Galerie Yvon Lambert, Video Cube, FIAC, Paris, France Statements, Team Gallery, Art | 32 | Basel, Basel, Switzerland Trompe Le Monde, Galerie Yvon Lambert, Paris, France Home Town Hero, Refusalon, San Francisco, California, United States 2000 Special Projects Series: Inside A Times Square Burger King Where The Soundtrack Is Being Played Backwards, P.S.1, Long Island City, New York, United States Charlatan, Team Gallery, New York, New York, United States I was rooting for you, Irvine Fine Arts Center, Irvine, California, United States 1999 The Fried Liver Attack, Team Gallery, New York, New York, United States SELECTED GROUP EXHIBITIONS 2024 Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark 2023 PREMISES, Martin Asbæk Gallery, Copenhagen, Denmark Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark Not Everything Sucks, SCHAU FENSTER, Berlin, Germany Kramlich Collection, Napa Valley, California, USA Memory Palace in Ruins, Taiwan Contemporary Culture Lab, Taiwan ABC Art Baja California Festival, La Paz, Mexico UNE HISTOIRE INTIME DE L’ART, Collection Lambert, Avignon, France 2022 Departure, Räume III, Räume, Berlin, Germany Spring Show, CCA Andratx, Andratx, Spain Everything was Beautiful, and Nothing Hurt, Henry Art Gallery, Seattle, United States 2021 Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark 2020 Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark 2019 Slater Bradley and Ebbe Stub Wittrup, Martin Asbæk Gallery, Expo Chicago, Illinois, United States Slater Bradley and Adam Jeppsen, Martin Asbæk Gallery, CHART, Copenhagen, Denmark Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark Wide World of Sports, Eric Firestone Gallery, East Hampton, New York, United States 2018 Visitations: Videos From Coleccion Jumex, Jumex Collection, Mexico City, Mexico Uncanny Valley, Vin Vin Gallery, (organized by Francis Ruyter), Vienna, Austria For Good, Goodroom, Munich, Germany The Breeder Gallery, Frieze Art Fair, New York, New York, United States 2017 True Faith, Manchester Art Gallery, Manchester International Festival, curated by Matthew Higgs, Jon Savage and Johan Kugelberg, Manchester, United Kingdom MTV: RE:DEFINE, Dallas Contemporary, curated by Neville Wakefield, Dallas, United States Liasons du Louvre IV : La Dolce Vita, Venetian Heritage Benefit Auction, Venice, Italy Person of the Crowd: The Contemporary Art of Flanerie, Barnes Foundation, Philadelphia, Pennsylvania, United States Indian Art Fair, New Delhi, Galerie Isa, Mumbai, India 2016 Faith and Fathom, Galleria Poggiali, curated by Zhivago Duncan, Florence, Italy Open Windows – Reflections on Beuys, Sexauer, curated by Philipp Bollmann, Berlin, Germany Shifting Coordinates, FotoFocus 2016 Biennial, Cincinnati, Ohio, United States MirrorMirror, Eric Firestone Gallery, East Hampton, New York, United States 15 Minutes: Exposing Dimensions of Fame, Johnson Museum of Art, Ithaca, New York, United States Berliner Bahnhof, CCA Andratx, Mallorca, Spain Like A Rolling Stone, Emily Carr University of Art and Design, Vancouver, B.C., Canada In Formation, Sexauer, curated by Amelie Groezinger and Juliet Koche, Berlin, Germany Dreaming Mirrors | Dreaming Screens, Sprüth Magers, curated by Johannes Fricke Waldthausen / Goodroom, Berlin, Germany 2015 2nd Wave Solar Shield, Galeria Filomena Soares, Paris Photo, Grand Palais, Paris, France Good for Nothing (Cracks in the Mirror), Goodroom, Munich, Germany Pop Stars! Popular Culture and Contemporary Art, 21c Museum Hotel, Cincinnati, Ohio, United States ...Y El Tiempo Se Hizo...And There Was Time, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain NGORONGORO, Lehderstrasse 34, Berlin, Germany 2014 she was my la jetée, Galeria Filomena Soares, LOOP Fair, Barcelona, Spain mythOmania, Le 106, Rouen, France Sound and Vision: Loves, Paris Photo, curated by Kevin Moore Los Angeles, California, travelled to Fotofocus Biennial, Cincinnati, Ohio, United States Cinema Remake, EYE Film Museum, Amsterdam, The Netherlands Infinite City, Zabludowicz Collection, London, United Kingdom, Saturn Trine Neptune, Sean Kelly Gallery, Armory Show, New York, New York, United States 2013 Perfect Empathy (Perine 07), Sean Kelly Gallery, Art Basel | Miami Beach, Florida, United States City of Disappearances, CCA Wattis Institute for Contemporary Arts, San Francisco, California, United States Art Seen: Chris Marker, Ben Rivers, Slater Bradley, Nitehawk Cinema, Brooklyn, New York, United States EL ARTE DEL PRESENTE. COLECCIÓN HELGA DE ALVEAR, Centro+Centro Palacio de Cibeles, Madrid, Spain Seventh-Inning Stretch, Eric Firestone Gallery, East Hampton, New York, United States Dissemblance: Perceiving and Projecting Identity 21c Museum, Cincinnati, Ohio, United States Public Display of Affection, Rongwrong Gallery, Amsterdam, The Netherlands 2012 In Search Of . . ., Art Academy Minerva, Groningen, The Netherlands Parts & Service, Eric Firestone Gallery, East Hampton, New York, United States Figure and Form in Contemporary Photography, Los Angeles County Museum of Art, Los Angeles, California, United States Portrait of a Generation, The Hole, New York, New York, United States United Tastes of America, 28th Hamburg International Short Film Festival, Hamburg, Germany Poule!, La Colección Jumex, curated by Michel Blancsubé, Mexico City, Mexico 2011 Art | Video, Team Gallery and Blum & Poe, Art Basel | Miami Beach, Florida, United States Now, Hospicio Cabañas, Guadalajara, Mexico I’ll Be Your Mirror, Sheldon Art Gallery, St. Louis, Missouri, United States Melodymania, RH Gallery, New York, New York, United States Make Skateboards, I-20 Gallery, New York, New York, United States StandART Video Series, Curated by Creative Time, New York, New York, United States Commercial Break, Garage Projects, 54th Venice Biennale, Venice, Italy Alias, Kraków Photomonth, Kraków, Poland The Last First Decade, Ellipse Foundation, Cascais, Portugal Second Lives: Jeux masqués et autres Je, Casino Luxembourg - Forum d’art contemporain, Luxembourg 2010 Haunted, Guggenheim Museum Bilboa, Bilbao, Spain NEW YORK The Loudest, Gallery Koko, Tokyo, Japan I Believe in Miracles, Lambert Collection, Avignon, France Landscapes, Magazzino D’Arte Moderna, Rome, Italy This is My Condition, Galeria Filomena Soares, curated by Alexandre Melo, Lisbon, Portugal Kurt, Seattle Art Museum, curated by Michael Darling, Seattle, Washington Sur le Dandysme, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain Dracula Effect, Museo Universitario del Chopo, Mexico City, Mexico Margenes de Silencio Centro de Artes Visuales Fundacion Helga de Alvear, Caceres, Spain HOW TO KILL A CELEBRITY, Solyanka State Gallery, Moscow, Russia The secret (still) knows, LAND, Los Angeles, California, United States Fourteen Again, Chelsea Art Museum, New York, New York, United States 2009 Herd Thinner, Charest Weinberg Gallery, Miami, Florida, United States Incarnational Aesthetics, NYCAMS, New York, New York, United States 100 Years (Version #2), MOMA PS1, Long Island City, New York, United States Geography of the Imagination, Lead Apron, Los Angeles, California, United States Videowork from the Collection, Guggenheim Museum Bilboa, curated by Nat Trotman, Bilbao, Spain Inaugural Group Exhibition, Blum & Poe, Los Angeles, California, United States Nothingness and Being, La Colección Jumex, Mexico City, Mexico 2008 Cancelled, Erased and Removed, Sean Kelly Gallery, New York, New York, United States Rock My Religion, Domus Artium 02, Salamanca, Spain Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal Accessories to an Artwork, Paul Stolper Gallery, curated by Peter Saville, London, United Kingdom Auto Stop, Malmö Konsthall, Malmö, Sweden A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, Louisiana, United States still: Slater Bradley, Sally Mann, Nigel Poor, Center for Visual Art, Metropolitian State University, Denver, Colorado, United States The Ghost in the Machine Kunstnernes Hus, Oslo, Norway VOLUME(S), Casino Luxembourg, Luxembourg, Luxembourg The Object is in the Mirror (Part II), Wilkinson Gallery, London, United Kingdom 2007-09 Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, Illinois, travelled to the Museum of Contemporary Art, Miami, Florida, United States, and Musée d’ Art Contemporain de Montréal, Montréal, Canada, curated by Dominic Molon 2007 The Object is in the Mirror, Layr Wuestenhagen Contemporary, Vienna, Austria The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, curated by Karel Schampers, The Netherlands Stop, Look and Listen, Herbert F. Johnson Museum of Art, Ithaca, New York, travelled to Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, curated by Andrea Inselmann (Cat.) Sweet Bird of Youth, Arndt & Partner, curated by Hedi Silmane, Berlin, Germany Noise, THe Inside, Milan, Italy 2006 Open House, Ellipse Foundation, Cascais, Portugal Young at Heart, Galeria Presença, Porto, Portugal Busan Biennale, Busan Museum of Modern Art, Busan, Korea Belief and Doubt, Aspen Art Museum, curated by Heidi Zuckerman Jacobson Aspen, Colorado, United States People, Madre Modern Art Museum, Naples, Italy Boisterous, Andersen Gallery, Copenhagen, Denmark Full House, Kunsthalle Mannheim, Mannheim, Germany Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France Human Game, Winners and Losers, Pitti Foundation, curated by Frencesco Bonami, Florence, Italy (Cat.) Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts Gallery, Birmingham, Alabama, United States Setting the Scene, Discoteca di Stato E Museo dell’Audiovisivo Auditorium, Rome, Italy Youth of Today, Schirn Kunsthalle Frankfurt, curated by Matthias Ulrich, Frankfurt, Germany I Love My Scene: Scene 2, Mary Boone Gallery, curated by José Freire, New York, New York, United States 2005 The Gravity in Art, De Appel Foundation, curated by Theo Tegelaers and Rene Daalder, Amsterdam, The Netherlands Le Studio: Slater Bradley, Galerie Yvon Lambert, Paris, France Superstars - The Principle of Renown, Kunsthalle Wien, Vienna, travelled to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Atrium 2002, Salamanca, Spain, curated by Thomas Mießgang, Heike Eipeldauer and Florian Steininger 3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain Star Star, Contemporary Arts Center, Cincinnati, Ohio, United States Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany Downstrokes and Feedback, curated by Lisa Schiff, Allston Skirt Gallery, Boston, Massachusetts, United States Bridge Freezes Before Road, Barbara Gladstone Gallery, curated by Neville Wakefield, New York, New York, United States Threshold, Max Wigram Gallery, London, United Kingdom video-musica-video, Museo Reina Sofia, curated by Bob Nickas Madrid, Spain La Collection D’ Enea Rich, Collection Lambert, Avignon, France 2004 Premieres, The Museum of Modern Art, New York, New York, United States I Feel Mysterious Today, Institute of Contemporary Art, curated by Dominic Molon, Palm Beach, Florida, United States Me, Myself and I, University Galleries, Florida Atlantic University, Boca Raton, Florida A Very Liquid Heaven, The Tang Museum, Sarasota Springs, New York, United States Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, The Salina Art Center, Salina, Kansas, travelled to Museum of Contemporary Art, Denver, Colorado; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; Gulf Coast Museum of Art, Largo, Florida, The Indianapolis Museum of Art, Indianapolis, Indiana, United States, curated by Shamim M. Momin Music/Video, Bronx Museum of Art, Bronx, New York, United States Motion Stills, Savannah College of Art and Design, Atlanta, Georgia, United States Harlem Postcards, Studio Museum in Harlem, New York, New York, United States Stalemate, Museum of Contemporary Art, Chicago, Illinois, United States Unlightment, Galerie Nationale du Jeu de Paume, Paris, France The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia, and Montenegro The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria Portraits, Esso Gallery, New York, New York, United States Whitney Biennial, Whitney Museum of American Art, New York, New York, United States Playlist, Palais de Tokyo, Paris, France 2003 When Darkness Falls, Gallery 400, University of Illinois, Chicago, Illinois, travelled to Midway, Saint Paul, Minnesota, United States An Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette, Team Gallery, New York, New York, United States Inaugural Show, New Space, Blum & Poe, Los Angeles, California, from the flat files, Ramp Gallery, Wakaito Institute of Technology, curated by Brian Butler and Amada Cruz, Hamilton, New Zealand Study, Taka Ishii Gallery, Tokyo, Japan What am I doing here?, ESSO Gallery, New York, New York, United States Then The World Would Be Upside Down, Tina Kim Projects, New York, New York, United States Country Mouse, City Mouse, Space 101, Brooklyn, New York, United States I See a Darkness, Blum & Poe, Santa Monica, California, United States The Fourth Sex: The Extreme People of Adolescence, Fondazione Pitti Immagine, curated by Francesco Bonami and Raf Simons, Florence, Italy Someone to Watch Over Me, Smart Project Space, curated by Thomas Peutz and Una Henry, Amsterdam, The Netherlands 2002 The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galería Helga de Alvear, curated by Charlotte Schepke Madrid, Spain Nuit Blanche: plus qu’une image, Aux Anciennes Pompes Funebres de la ville Paris, curated by Caroline Bourgeois, Paris, France Music/Video, Musée d’Art Moderne et Contemporain, Strasbourg, France Les Enfants du Paris, Galerie Yvon Lambert, Paris, France Slater Bradley Mark Leckey, John Williams, Low, Los Angeles, California, United States International Contemporary Emerging Art, Lawesome Menzies Flynn, Sydney, Australia The Standard Projection #3, The V, curated by Yvonne Force, Los Angeles, California, United States Photographier, Collection Lambert en Avignon, Avignon, France, burst, Team Gallery, New York, New York, United States Copy, curated by Neville Wakefield, Roth Horowitz Gallery, New York, New York, United States Heaven Knows I’m Miserable Now, Low, Los Angeles, California, United States Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick), Ursula Bickle Stiftung, Kraichtal, Germany 2001 Casino 2001, Stedelijk Museum voor Actuele Kunst, curated by Jeanne Greenberg Rohatyn, Ghent, Belgium Art and Wellbeing— The Asthetics of Recreation, Kunsthaus Meran-Merano Arte, curated by Andrea Domesle, Merano, Italy Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey, travelled to the Reina Sofia, Madrid, Spain, curated by Elga Wimmer Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, New York, United States Schau mir in die Augen, Kleines!, Kunsthalle Fridericianum, curated by Rene Block, Kassel, Germany (Cat.) In a Lonely Place, National Museum of Film, Television and Photography, West Bradford, United Kingdom (Cat.) Dear Dead Person, Momenta, curated by Banks Violette, Brooklyn, New York, United States 2000 Friction Fiction, Echo Park Projects, Los Angeles, California, United States 1:1, Refusalon, San Francisco, California, United States The World is Not Enough, Museum of Contemporary Art, curated by Lisa Ruyter Washingon, D.C., United States 1999 SoCal Car Culture, Irvine Fine Arts Center, Irvine, California, United States (Cat.) PO+ KU ART REVOLUTION (curated by Takashi Murakami), Parco Gallery, Tokyo, Japan long cold winter in an endlessnameless, Studio 870, Los Angeles, California Oh my God, I live on the thirteenth floor in Holland, which does not exist in the United States, or no?, Alternative Space, curated by Jay Batlle, Amsterdam, The Netherlands 1998 Blind Date: Slater Bradley and Erik Wesselo, W139, Amsterdam, The Netherlands (Cat.) Jay Batlle and Slater Bradley: A sound goodbye demand, Studio 870, Los Angeles, California, United States Text and Numbers, Remba Gallery, Los Angeles, California, United States 1997 CA 90001-185, W139, Amsterdam, The Netherlands AWARDS 2017 Global Fine Art Award, Slater B. Bradley: Sundoor at World’s End, La Maddalena, (Church of Mary Magdalene), Best Public Art Exhibition, Venice, Italy (Nominee) 2015 Artist-In-Residence, CCA Andratx, Mallorca, Spain 2008 Lucelia Artist Award, Smithsonian American Art Museum, Washington D.C., United States (nominee) 2006 NASA Art Program, Washington D.C., in collaboration with the American Museum of Natural History, New York City, United States 2005 The Louis Comfort Tiffany Foundation Award in Video 1998 Art Council Grant, University of California, Los Angeles, United States 1996-98 Lillian Levenson Scholarship, University of California, Los Angeles, United States 1996 President’s Undergraduate Fellowship, University of California, Los Angeles, United States PUBLIC COLLECTIONS Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, United States Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, United States Centre National des Arts Plastiques, Paris, France Collection Lambert en Avignon, Avignon, France David Roberts Art Foundation, London, United Kingdom Ellipse Foundation, Cascais, Portugal Espacio de Arte Contemporáneo, Mexico City, Mexico Frans Hals Museum, Haarlem, The Netherlands Fundación Helga de Alvear, Cáceres, Spain Henry Art Gallery, Seattle, United States Herbert F. Johnson Museum, Cornell University, Ithaca, United States Jumex Collection, Mexico City, Mexico Kramlich Collection, San Francisco, United States Los Angeles County Museum of Art, Los Angeles, United States Manchester Art Gallery, Manchester, United Kingdom Martin C. Margulies Collection, Miami, United States Museum of Contemporary Art, Los Angeles, United States Museum of Modern Art, New York City, United States New Orleans Museum of Art, New Orleans, United States Progressive Collection, Cleveland, United States Solomon R. Guggenheim Museum, New York City, United States U.B.S. Collection, Zurich, Switzerland University of Michigan Museum of Art, Ann Arbor, United States Whitney Museum of American Art, New York City, United States Zabludowicz Collection, London, United Kingdom 21c Museum Hotel, Louisville, United States