Slater Bradley

Overview

Born in 1975 in San Francisco, California
Lives and works in Berlin, Germany

Slater Bradley is a conceptual and cross-disciplinary artist, who works with a wide variety of media, including photography, drawing, painting, neon and video. Bradley began exhibiting internationally at the age of 22, and in 2005, at the age of 30, Bradley became the youngest male artist to present a solo show at The Guggenheim. His breakthrough was partly initiated by the introduction of the concept of “The Doppelganger” as a central theme of his early work as well as his use of mass-mediated youth culture and icons alongside mythical and spiritual themes.

In 2013, Slater Bradley left New York City and travelled to Berlin, where he began to re-invent himself through rigorous spiritual introspection. This resulted in bringing forth the spiritual dimension in his work. Ancient cosmology and astrological themes plays a significant role in Bradley’s current work, such as the Shield series, which consists of hundreds of thousands of paint-pen strokes that create both subtle graduations and patterns. The experience of the works, as well as the process behind, calls upon hypnotic or even meditative concentration, and reminds the viewer of both organic tissue and radiant halos of cosmic dust.

In Bradley’s most recent installation works, the collective spiritual experience and sacred sites are explored through transcultural cosmology, philosophy, and mythology. His work includes several recurring forms and figures, such as the pentagram as a symbol of Venus and divine femininity, crystal stones and the oculus, the portal to the divine, as well as an ancient color palette of deep blue and gold, which throughout history has been connected to transcendence and the divine across belief systems.

His work is represented in several museum collections, such as the Museum of Modern Art in New York, The Solomon R. Guggenheim Museum, New York, Museum of Contemporary Art, Los Angeles, Whitney Museum, New York, and the Zabludowicz Collection, London.

Selected Works

Biography / CV

Born in 1975 in San Francisco, California

Lives and works in Berlin, Germany

 

EDUCATION

1998 – BA, University of California, Los Angeles

 

SOLO EXHIBITIONS

2020

The Gates of Many Colors, Galeria Pelaires, Malloca, Spain

2019

All my happiness is gone, Martin Asbæk Gallery, Copenhagen, Denmark

Under The Sunbeams, there-there, Los Angeles, California, United States

2018

Making Time, Galleria Poggiali, Florence, Italy

KETU, Galeria Filomena Soares, Lisbon, Portugal

2017

Slater B. Bradley : Sundoor at World’s End, La Maddalena, Venice, Italy

2016

Slater B. Bradley : The Secret Key, Zuecca Projects, Venice, Italy

2013

A Point Beyond the Tree, Sean Kelly Gallery, New York, New York, United States

Sequoia: Recent Work by Slater Bradley, Johnson Museum of Art, Cornell University, Ithaca, New York, United States

she was my la jetée, Galería Helga de Alvear, Madrid, Spain

Slater Bradley and Ed Lachman: Dead Ringer, 21c Museum Hotel, Bentonville, Arkansas, United States

2012

Slater Bradley: Nudes, Max Wigram Gallery, London, United Kingdom

Melancholia, Galeria Filomena Soares, Lisbon, Portugal

Don’t Let Me Disappear, Team Gallery, New York, New York, United States

2011

Slater Bradley and Ed Lachman: Look Up and Stay in Touch, Aspen Art Museum, Aspen, Colorado, United States

NEVER BET AGAINST ME, Max Wigram Gallery, London, United Kingdom

Slater Bradley and Ed Lachman: Shadow, Galería Helga de Alvear, Madrid, Spain

2010 Slater Bradley and Ed Lachman: Shadow, Whitney Museum of American Art, curated by Chrissie Iles, New York, New York, United States

CLEAN SLATE, PSM Galerie, Berlin, Germany

2009

if we were immortal, Team Gallery, New York, New York, United States

Boulevard of broken dreams, Max Wigram Gallery, London, United Kingdom

nothing changes how it used to be, Frans Hals Museum, Haarlem, The Netherlands

2008

Perfect Empathy, Taka Ishii Gallery, Tokyo, Japan

2007

Hope From A Dark Place, Blum & Poe, Los Angeles, California, United States

The Unreleased Factory, Max Wigram Gallery, London, United Kingdom

Tonic-Clonic, Galería Helga de Alvear, Madrid, Spain

Slater Bradley, Team Gallery, The Armory Show, New York, New York, United States

Contemporary Project Series: Slater Bradley, Contemporary Art Museum, curated by Paul Ha, St. Louis, Missouri, United States

2006

The Abandonments, Team Gallery, New York, New York, United States

In a Mixed State, Max Wigram Gallery, London, United Kingdom

2005

Uncharted Settlements, Taka Ishii Gallery, Tokyo, Japan

Intermission, Galerie Lisa Ruyter, Vienna, Austria

Lifetime Achievement Award, Savannah College of Art and Design, curated by Matthew Mascotte, Savannah, Georgia, United States (Cat.)

Slater Bradley / MATRIX 216: The Year of the Doppelganger, UC Berkeley Art Museum and Pacific Film Archive, curated by Heidi Zuckerman Jacobson, Berkeley, California, United States

Recent Acquisitions: Slater Bradley’s Doppelganger Trilogy, Solomon R. Guggenheim Museum,
curated by Nancy Spector, New York, New York, United States

2004

The Doppelganger Trilogy, Blum & Poe, Los Angeles, California, United States

STONED & DETHRONED, Team Gallery, New York, New York, United States

2003

Nobody Gives a Fuck What You Go Do With Your Life, MW Projects, London, United Kingdom

Theory and Observation: New Work by Slater Bradley, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York, United States

2002

Actress, Team Gallery, The Armory Photography Show, New York, New York, United States

Kasparov, Nabokov, and the Enchanted Hunters, Team Gallery, Art Unlimited, Art | 33 | Basel, Basel, Switzerland

Here are the Young Men, Team Gallery, New York, New York, United States

Slater Bradley, Universitätsstadt Kaiserslautern, Kaiserslautern, Germany

Slater Bradley, Art + Public, Geneva, Switzerland

Keys in the Mailbox, Arndt & Partner, Berlin, Germany

2001

Ghost, Galerie Yvon Lambert, Video Cube, FIAC, Paris, France

Statements, Team Gallery, Art | 32 | Basel, Basel, Switzerland

Trompe Le Monde, Galerie Yvon Lambert, Paris, France

Home Town Hero, Refusalon, San Francisco, California, United States

2000

Special Projects Series: Inside A Times Square Burger King Where The Soundtrack Is Being Played Backwards, P.S.1, Long Island City, New York, United States

Charlatan, Team Gallery, New York, New York, United States

I was rooting for you, Irvine Fine Arts Center, Irvine, California, United States

1999

The Fried Liver Attack, Team Gallery, New York, New York, United States

 

SELECTED GROUP EXHIBITIONS

2021

Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark

2020

Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark

2019

Slater Bradley and Ebbe Stub Wittrup, Martin Asbæk Gallery, Expo Chicago, Illinois, United States

Slater Bradley and Adam Jeppsen, Martin Asbæk Gallery, CHART, Copenhagen, Denmark

Summer in the City, Martin Asbæk Gallery, Copenhagen, Denmark

Wide World of Sports, Eric Firestone Gallery, East Hampton, New York, United States

2018

Visitations: Videos From Coleccion Jumex, Jumex Collection, Mexico City, Mexico

Uncanny Valley, Vin Vin Gallery, (organized by Francis Ruyter), Vienna, Austria

For Good, Goodroom, Munich, Germany

The Breeder Gallery, Frieze Art Fair, New York, New York, United States

2017

True Faith, Manchester Art Gallery, Manchester International Festival, curated by Matthew Higgs, Jon Savage and Johan Kugelberg, Manchester, United Kingdom

MTV: RE:DEFINE, Dallas Contemporary, curated by Neville Wakefield, Dallas, United States

Liasons du Louvre IV : La Dolce Vita, Venetian Heritage Benefit Auction, Venice, Italy

Person of the Crowd: The Contemporary Art of Flanerie, Barnes Foundation, Philadelphia, Pennsylvania, United States

Indian Art Fair, New Delhi, Galerie Isa, Mumbai, India

2016

Faith and Fathom, Galleria Poggiali, curated by Zhivago Duncan, Florence, Italy

Open Windows – Reflections on Beuys, Sexauer, curated by Philipp Bollmann, Berlin, Germany

Shifting Coordinates, FotoFocus 2016 Biennial, Cincinnati, Ohio, United States

MirrorMirror, Eric Firestone Gallery, East Hampton, New York, United States

15 Minutes: Exposing Dimensions of Fame, Johnson Museum of Art, Ithaca, New York, United States

Berliner Bahnhof, CCA Andratx, Mallorca, Spain

Like A Rolling Stone, Emily Carr University of Art and Design, Vancouver, B.C., Canada

In Formation, Sexauer, curated by Amelie Groezinger and Juliet Koche, Berlin, Germany

Dreaming Mirrors | Dreaming Screens, Sprüth Magers, curated by Johannes Fricke Waldthausen / Goodroom, Berlin, Germany

2015

2nd Wave Solar Shield, Galeria Filomena Soares, Paris Photo, Grand Palais, Paris, France

Good for Nothing (Cracks in the Mirror), Goodroom, Munich, Germany

Pop Stars! Popular Culture and Contemporary Art, 21c Museum Hotel, Cincinnati, Ohio, United States

…Y El Tiempo Se Hizo…And There Was Time, Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain

NGORONGORO, Lehderstrasse 34, Berlin, Germany

2014

she was my la jetée, Galeria Filomena Soares, LOOP Fair, Barcelona, Spain

mythOmania, Le 106, Rouen, France

Sound and Vision: Loves, Paris Photo, curated by Kevin Moore Los Angeles, California, travelled to Fotofocus Biennial, Cincinnati, Ohio, United States

Cinema Remake, EYE Film Museum, Amsterdam, The Netherlands

Infinite City, Zabludowicz Collection, London, United Kingdom,

Saturn Trine Neptune, Sean Kelly Gallery, Armory Show, New York, New York, United States

2013

Perfect Empathy (Perine 07), Sean Kelly Gallery, Art Basel | Miami Beach, Florida, United States

City of Disappearances, CCA Wattis Institute for Contemporary Arts, San Francisco, California, United States

Art Seen: Chris Marker, Ben Rivers, Slater Bradley, Nitehawk Cinema, Brooklyn, New York, United States

EL ARTE DEL PRESENTE. COLECCIÓN HELGA DE ALVEAR, Centro+Centro Palacio de Cibeles, Madrid, Spain

Seventh-Inning Stretch, Eric Firestone Gallery, East Hampton, New York, United States

Dissemblance: Perceiving and Projecting Identity 21c Museum, Cincinnati, Ohio, United States

Public Display of Affection, Rongwrong Gallery, Amsterdam, The Netherlands

2012

In Search Of . . ., Art Academy Minerva, Groningen, The Netherlands

Parts & Service, Eric Firestone Gallery, East Hampton, New York, United States

Figure and Form in Contemporary Photography, Los Angeles County Museum of Art, Los Angeles, California, United States

Portrait of a Generation, The Hole, New York, New York, United States

United Tastes of America, 28th Hamburg International Short Film Festival, Hamburg, Germany

Poule!, La Colección Jumex, curated by Michel Blancsubé, Mexico City, Mexico

2011

Art | Video, Team Gallery and Blum & Poe, Art Basel | Miami Beach, Florida, United States

Now, Hospicio Cabañas, Guadalajara, Mexico

I’ll Be Your Mirror, Sheldon Art Gallery, St. Louis, Missouri, United States

Melodymania, RH Gallery, New York, New York, United States

Make Skateboards, I-20 Gallery, New York, New York, United States

StandART Video Series, Curated by Creative Time, New York, New York, United States

Commercial Break, Garage Projects, 54th Venice Biennale, Venice, Italy

Alias, Kraków Photomonth, Kraków, Poland

The Last First Decade, Ellipse Foundation, Cascais, Portugal

Second Lives: Jeux masqués et autres Je, Casino Luxembourg – Forum d’art contemporain, Luxembourg

2010

Haunted, Guggenheim Museum Bilboa, Bilbao, Spain

NEW YORK The Loudest, Gallery Koko, Tokyo, Japan

I Believe in Miracles, Lambert Collection, Avignon, France

Landscapes, Magazzino D’Arte Moderna, Rome, Italy

This is My Condition, Galeria Filomena Soares, curated by Alexandre Melo, Lisbon, Portugal

Kurt, Seattle Art Museum, curated by Michael Darling, Seattle, Washington

Sur le Dandysme, Centro Galego de Arte Contemporanea, Santiago de Compostella, Spain

Dracula Effect, Museo Universitario del Chopo, Mexico City, Mexico

Margenes de Silencio Centro de Artes Visuales Fundacion Helga de Alvear, Caceres, Spain

HOW TO KILL A CELEBRITY, Solyanka State Gallery, Moscow, Russia

The secret (still) knows, LAND, Los Angeles, California, United States

Fourteen Again, Chelsea Art Museum, New York, New York, United States

2009

Herd Thinner, Charest Weinberg Gallery, Miami, Florida, United States

Incarnational Aesthetics, NYCAMS, New York, New York, United States

100 Years (Version #2), MOMA PS1, Long Island City, New York, United States

Geography of the Imagination, Lead Apron, Los Angeles, California, United States

Videowork from the Collection, Guggenheim Museum Bilboa, curated by Nat Trotman, Bilbao, Spain

Inaugural Group Exhibition, Blum & Poe, Los Angeles, California, United States

Nothingness and Being, La Colección Jumex, Mexico City, Mexico

2008

Cancelled, Erased and Removed, Sean Kelly Gallery, New York, New York, United States

Rock My Religion, Domus Artium 02, Salamanca, Spain

Young at Heart (Remix), Centro Cultural de Cascais, Cascais, Portugal

Accessories to an Artwork, Paul Stolper Gallery, curated by Peter Saville, London, United Kingdom

Auto Stop, Malmö Konsthall, Malmö, Sweden

A Curators Gift: Contemporary Photography from Diego Cortez, New Orleans Museum of Art, New Orleans, Louisiana, United States

still: Slater Bradley, Sally Mann, Nigel Poor, Center for Visual Art, Metropolitian State University, Denver, Colorado, United States

The Ghost in the Machine Kunstnernes Hus, Oslo, Norway

VOLUME(S), Casino Luxembourg, Luxembourg, Luxembourg

The Object is in the Mirror (Part II), Wilkinson Gallery, London, United Kingdom

2007-09

Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art, Chicago, Illinois, travelled to the Museum of Contemporary Art, Miami, Florida, United States, and Musée d’ Art Contemporain de Montréal, Montréal, Canada, curated by Dominic Molon

2007

The Object is in the Mirror, Layr Wuestenhagen Contemporary, Vienna, Austria

The Present Order is the Disorder of the Future, Frans Hals Museum, Haarlem, curated by Karel Schampers, The Netherlands

Stop, Look and Listen, Herbert F. Johnson Museum of Art, Ithaca, New York, travelled to Haggerty Museum of Art, Marquette University, Milwaukee, Wisconsin, curated by Andrea Inselmann (Cat.)

Sweet Bird of Youth, Arndt & Partner, curated by Hedi Silmane, Berlin, Germany

Noise, THe Inside, Milan, Italy

2006

Open House, Ellipse Foundation, Cascais, Portugal

Young at Heart, Galeria Presença, Porto, Portugal

Busan Biennale, Busan Museum of Modern Art, Busan, Korea

Belief and Doubt, Aspen Art Museum, curated by Heidi Zuckerman Jacobson Aspen, Colorado, United States

People, Madre Modern Art Museum, Naples, Italy

Boisterous, Andersen Gallery, Copenhagen, Denmark

Full House, Kunsthalle Mannheim, Mannheim, Germany

Figures of the Player, the Paradox of the Actor, Collection Lambert, Avignon, France

Human Game, Winners and Losers, Pitti Foundation, curated by Frencesco Bonami, Florence, Italy (Cat.)

Smoke and Mirrors: Deception in Contemporary Art, University of Alabama Visual Arts Gallery, Birmingham, Alabama, United States

Setting the Scene, Discoteca di Stato E Museo dell’Audiovisivo Auditorium, Rome, Italy

Youth of Today, Schirn Kunsthalle Frankfurt, curated by Matthias Ulrich, Frankfurt, Germany

I Love My Scene: Scene 2, Mary Boone Gallery, curated by José Freire, New York, New York, United States

2005

The Gravity in Art, De Appel Foundation, curated by Theo Tegelaers and Rene Daalder, Amsterdam, The Netherlands

Le Studio: Slater Bradley, Galerie Yvon Lambert, Paris, France

Superstars – The Principle of Renown, Kunsthalle Wien, Vienna, travelled to Kunsthallen Brandts, Odense, Denmark, DA2: Domus Atrium 2002, Salamanca, Spain, curated by Thomas Mießgang, Heike Eipeldauer and Florian Steininger

3 or 4 Stories, Estudio Helga de Alvear, Madrid, Spain

Star Star, Contemporary Arts Center, Cincinnati, Ohio, United States

Video II: Allegorie, NRW-Forum Kultur und Wirtschaft, Dusseldorf, Germany

Downstrokes and Feedback, curated by Lisa Schiff, Allston Skirt Gallery, Boston, Massachusetts, United States

Bridge Freezes Before Road, Barbara Gladstone Gallery, curated by Neville Wakefield, New York, New York, United States

Threshold, Max Wigram Gallery, London, United Kingdom

video-musica-video, Museo Reina Sofia, curated by Bob Nickas Madrid, Spain

La Collection D’ Enea Rich, Collection Lambert, Avignon, France

2004

Premieres, The Museum of Modern Art, New York, New York, United States

I Feel Mysterious Today, Institute of Contemporary Art, curated by Dominic Molon, Palm Beach,
Florida, United States

Me, Myself and I, University Galleries, Florida Atlantic University, Boca Raton, Florida

A Very Liquid Heaven, The Tang Museum, Sarasota Springs, New York, United States

Will Boys Be Boys?: Questioning Masculinity in Contemporary Art, The Salina Art Center, Salina, Kansas, travelled to Museum of Contemporary Art, Denver, Colorado; The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York; Gulf Coast Museum of Art, Largo, Florida, The Indianapolis Museum of Art, Indianapolis, Indiana, United States, curated by Shamim M. Momin

Music/Video, Bronx Museum of Art, Bronx, New York, United States

Motion Stills, Savannah College of Art and Design, Atlanta, Georgia, United States

Harlem Postcards, Studio Museum in Harlem, New York, New York, United States

Stalemate, Museum of Contemporary Art, Chicago, Illinois, United States

Unlightment, Galerie Nationale du Jeu de Paume, Paris, France

The Yugoslav Biennial, Museum of Contemporary Art, Belgrade, Serbia, and Montenegro

The Rose Garden Without Thorns, Galerie Lisa Ruyter, Vienna, Austria

Portraits, Esso Gallery, New York, New York, United States

Whitney Biennial, Whitney Museum of American Art, New York, New York, United States

Playlist, Palais de Tokyo, Paris, France

2003

When Darkness Falls, Gallery 400, University of Illinois, Chicago, Illinois, travelled to Midway, Saint Paul, Minnesota, United States

An Enquiry into those Kinds of Distress which excite agreeable Sensations (1773): Slater Bradley & Banks Violette, Team Gallery, New York, New York, United States

Inaugural Show, New Space, Blum & Poe, Los Angeles, California, from the flat files, Ramp Gallery, Wakaito Institute of Technology, curated by Brian Butler and Amada Cruz, Hamilton, New Zealand

Study, Taka Ishii Gallery, Tokyo, Japan

What am I doing here?, ESSO Gallery, New York, New York, United States

Then The World Would Be Upside Down, Tina Kim Projects, New York, New York, United States

Country Mouse, City Mouse, Space 101, Brooklyn, New York, United States

I See a Darkness, Blum & Poe, Santa Monica, California, United States

The Fourth Sex: The Extreme People of Adolescence, Fondazione Pitti Immagine, curated by Francesco Bonami and Raf Simons, Florence, Italy

Someone to Watch Over Me, Smart Project Space, curated by Thomas Peutz and Una Henry, Amsterdam, The Netherlands

2002

The Passing: Slater Bradley, Matt Collishaw, Christian Marclay, Galería Helga de Alvear, curated by Charlotte Schepke Madrid, Spain

Nuit Blanche: plus qu’une image, Aux Anciennes Pompes Funebres de la ville Paris, curated by
Caroline Bourgeois, Paris, France

Music/Video, Musée d’Art Moderne et Contemporain, Strasbourg, France

Les Enfants du Paris, Galerie Yvon Lambert, Paris, France

Slater Bradley Mark Leckey, John Williams, Low, Los Angeles, California, United States

International Contemporary Emerging Art, Lawesome Menzies Flynn, Sydney, Australia

The Standard Projection #3, The V, curated by Yvonne Force, Los Angeles, California, United States

Photographier, Collection Lambert en Avignon, Avignon, France,

burst, Team Gallery, New York, New York, United States

Copy, curated by Neville Wakefield, Roth Horowitz Gallery, New York, New York, United States

Heaven Knows I’m Miserable Now, Low, Los Angeles, California, United States

Dark Spring (curated by Nicolaus Schafhausen and Liam Gillick), Ursula Bickle Stiftung, Kraichtal, Germany

2001

Casino 2001, Stedelijk Museum voor Actuele Kunst, curated by Jeanne Greenberg Rohatyn,
Ghent, Belgium

Art and Wellbeing— The Asthetics of Recreation, Kunsthaus Meran-Merano Arte, curated by
Andrea Domesle, Merano, Italy

Metropolis Now, Borusan Centre for Culture and Arts, Istanbul, Turkey, travelled to the Reina Sofia, Madrid, Spain, curated by Elga Wimmer

Inaugural Exhibition, Le Studio at Galerie Yvon Lambert, Paris

Objects in Mirror Are Closer Than They Appear, Team Gallery, New York, New York, United States

Schau mir in die Augen, Kleines!, Kunsthalle Fridericianum, curated by Rene Block, Kassel, Germany (Cat.)

In a Lonely Place, National Museum of Film, Television and Photography, West Bradford, United Kingdom (Cat.)

Dear Dead Person, Momenta, curated by Banks Violette, Brooklyn, New York, United States

2000

Friction Fiction, Echo Park Projects, Los Angeles, California, United States

1:1, Refusalon, San Francisco, California, United States

The World is Not Enough, Museum of Contemporary Art, curated by Lisa Ruyter Washingon, D.C., United States

1999

SoCal Car Culture, Irvine Fine Arts Center, Irvine, California, United States (Cat.)

PO+ KU ART REVOLUTION (curated by Takashi Murakami), Parco Gallery, Tokyo, Japan

long cold winter in an endlessnameless, Studio 870, Los Angeles, California

Oh my God, I live on the thirteenth floor in Holland, which does not exist in the United
States, or no?, Alternative Space, curated by Jay Batlle, Amsterdam, The Netherlands

1998

Blind Date: Slater Bradley and Erik Wesselo, W139, Amsterdam, The Netherlands (Cat.)

Jay Batlle and Slater Bradley: A sound goodbye demand, Studio 870, Los Angeles, California, United States

Text and Numbers, Remba Gallery, Los Angeles, California, United States

1997

CA 90001-185, W139, Amsterdam, The Netherlands

 

AWARDS

2017

Global Fine Art Award, Slater B. Bradley: Sundoor at World’s End,

La Maddalena, (Church of Mary Magdalene), Best Public Art Exhibition, Venice, Italy (Nominee)

2015

Artist-In-Residence, CCA Andratx, Mallorca, Spain

2008

Lucelia Artist Award, Smithsonian American Art Museum, Washington D.C., United States (nominee)

2006

NASA Art Program, Washington D.C., in collaboration with the American Museum of Natural History, New York City, United States

2005

The Louis Comfort Tiffany Foundation Award in Video

1998

Art Council Grant, University of California, Los Angeles, United States

1996-98

Lillian Levenson Scholarship, University of California, Los Angeles, United States

1996

President’s Undergraduate Fellowship, University of California, Los Angeles, United States

 

PUBLIC COLLECTIONS

Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, United States

Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, United States

Centre National des Arts Plastiques, Paris, France

Collection Lambert en Avignon, Avignon, France

David Roberts Art Foundation, London, United Kingdom

Ellipse Foundation, Cascais, Portugal

Espacio de Arte Contemporáneo, Mexico City, Mexico

Frans Hals Museum, Haarlem, The Netherlands

Fundación Helga de Alvear, Cáceres, Spain

Henry Art Gallery, Seattle, United States

Herbert F. Johnson Museum, Cornell University, Ithaca, United States

Jumex Collection, Mexico City, Mexico

Kramlich Collection, San Francisco, United States

Los Angeles County Museum of Art, Los Angeles, United States

Manchester Art Gallery, Manchester, United Kingdom

Martin C. Margulies Collection, Miami, United States

Museum of Contemporary Art, Los Angeles, United States

Museum of Modern Art, New York City, United States

New Orleans Museum of Art, New Orleans, United States

Progressive Collection, Cleveland, United States

Solomon R. Guggenheim Museum, New York City, United States

U.B.S. Collection, Zurich, Switzerland

University of Michigan Museum of Art, Ann Arbor, United States

Whitney Museum of American Art, New York City, United States

Zabludowicz Collection, London, United Kingdom

21c Museum Hotel, Louisville, United States